'Filled with fantasy in the greatest sense of the word’ (Dr. Ursula Adamski-Stoermer, Bayerischer Rundfunk Review) pianist Caroline Oltmanns reveals in her playing a deep connectivity between music and culture. Her structural mastery and exciting conceptual ideas equip her to explore the most diverse repertoire. Her impeccable musical phrasing combined with an engaging stage presence have attracted audiences both in the US and abroad. Best described in a recent review, Caroline Oltmanns’ playing is ‘always enlightened by clarity’ (Martin Frei, Alläuer Zeitung). Critics have rave about her 'clear, light and scintillating tone' (Guy Engels, Pizzicato) and her 'seeming abandon' (Bettina Schaerlinger, Hoefner Volksblatt). Caroline Oltmanns is able to present new aspects in the standard repertoire works of Brahms, Haydn, Mozart, Beethoven, Schumann, Chopin and Debussy. Integrity towards the score and insightful creativity enable her to instill fresh relevance to works of the past. Her creative programming of new works builds bridges to unfamiliar repertoire. 

Caroline Oltmanns has recorded six solo CDs on the Filia Mundi label, her new concept album Ghosts features Schumann's Ghost Variations and Carnaval Op. 9, the Paganini Variations by Brahms and Chopin's Fantasie Impromptu. Event highlights of the 2017-18 season include two concert tours to Switzerland, recitals in Germany and a return appearance with Youngstown Symphony Orchestra (Randall Fleisher). Previous concert seasons have included concerto appearances with Johnson City Symphony Orchestra (Robert Seebacher), Harburger Orchester Academie (Rainer Schmitz), and Cleveland Philharmonic Orchestra (William Slocum) featuring Beethoven Concertos in B-flat and E-flat, Saint-Saens Concerto in C-minor, and Brahms Concerto No. 2 in B-flat. Solo recital venues have included Steinway Hall and Weill Recital Hall in New York City; Preston Bradley Hall in Chicago; Redlands Bowl and Leo Bing Theater in Los Angeles. Regular recital tours abroad have included Stadttheater Fürth, Germany; Festival International de Piano Franz Liszt, France; Baxter Hall and Endler Hall, South Africa. Caroline Oltmanns has commissioned, premiered and recorded new works including concertos for piano and large ensemble by James Wilding, Till McIvor Meyn, Edward Largent, Rainer Schmitz, Dave Morgan, and Tom Janson.  

Her playing has been heard on radio stations in Chicago, Cleveland, Los Angeles, and Cape Town. Radio interviews in Germany have been broadcast on Bayern IV, Norddeutscher Rundfunk, Süddeutscher, Rundfunk, Radio Bremen, Hessischer Rundfunk and Westdeutscher Rundfunk. Televised interviews and performances include Bayerisches Fernsehen, Channel 25 Chicago, and KVCR-TV San Bernadino.

A Professor of Piano at Youngstown State University, Caroline Oltmanns has presented master classes and workshops in the United States, Switzerland, Germany, South Africa, Canada, and China.  Her students have been accepted into prestigious programs in the US and abroad, and have pursued outstanding careers in music. Caroline Oltmanns has initiated and supported several philanthropic causes through regular benefit appearances for organizations of different interests. She recently established the endowment 88 Hearts for Youngstown, a fund to support scholarships for piano students. In 2018 she returns as a screening jury member to the Cleveland International Piano Competition for Young Artists. 

Caroline Oltmanns received her early pianistic and artistic conservatory training in her native Germany based on the Walter Gieseking and Karl Leimer traditions. She is a Fulbright Scholar, International Steinway Artist, and recipient of substantial awards through the Annette-Kade-Stiftung and the Stipendium der deutschen Wirtschaft. She earned her Diploma at the Staatliche Musikhochschule Freiburg and her Master's and Doctoral degrees at the University of Southern California in Los Angeles. Her musical mentors were Robert Levin, John Perry, Vitaly Margulis and Malcolm Frager.